By observing the murals in Bagan, one can see a connection between Bagan and the middle east region since ancient times, U Kyaw Myo Win, director of the Department of Archaeology and National Museum (Bagan Branch) told the Global New Light of Myanmar (GNLM).
Of the 3837 remaining ancient pagodas in Bagan, 416 have mural paintings.
“The art of painting in Myanmar has kept pace with the world since the ancient Bagan era. I say it has been global. A very small cave pagoda near Kyauk Myet Maw has murals depicting the Arabs of the middle east, including camels, their fauna and flora. By looking at these paintings, we can conclude that a connection with the middle east has been established in the Bagan era. So, the Bagan era’s murals are not inferior to the world-class murals. With its own style and creation, Myanmar’s art of painting has reached the world class since 1000 years ago,” he said.
The artists of the Bagan’s era might have painted these murals in the caves of the pagodas during the very hot summer, he suggested on his Facebook page.
“When they took a break from agricultural work during the extreme heat, they seemed to paint the cave walls while enjoying full sunlight and escaping the heat. The underlying layer of the walls may have dried with low humidity due to the summer heat, so this would be the best time to create murals,” he said.
These murals look like the artistic work of teams rather than individuals, while outstanding works by these artists show their extensive knowledge of Jatakas of the Buddha’s life in addition to painting, or some great Buddhist scholar Sayadaws might have closely supervised them during their drawings, he suggested.
In addition, masons, who prepared the undercoat layer in detail for the convenience of painters to paint murals, were found to have played an important role in the creation of these artistic works, he said.
MT/ZN
